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Provocative opinions about Asian American film
Color Commentary - Wes Kim
03.21 - Posted by Editor
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03.23.01 - A Call to Action
Last week, I attended a meeting for a local screenwriting group. The guest
speaker, there to talk about the art of pitching, started by stressing the
importance of researching individuals whom you are going to meet.
"Everybody see that Asian girl in the back?" she said as all our
eyes turned to the back of the room. "The first thing she did when she
walked in was give me a Diet Coke. Obviously, she must've checked out my web
site and found out that I'm a fiend for Diet Coke. And so now, I'm going to remember her! See? She was really
smart!" Amid the admiring chuckles that swept the room, I heard a man
behind me say, "Well, aren't they all smart?"
I was dumbstruck by the remark, so much so, I'm disappointed to admit, that
I ultimately said nothing. When discussing the incident later with a friend who
attended the same meeting, she quipped, "Well, it's hard to know what to
say to something like that. 'We're not all smart -- some of us are quite
stupid!'?"
Indeed, had I confronted the man at that moment, I suspect that he might not
have even perceived his comment as a slight. I might've had to go into a lengthy
explanation of the "model minority" curse -- how even
"positive" stereotypes place limits on what sorts of roles minorities
are permitted to play. The Asian American who's always perceived as smart and hard-working is ignored when
creating an artist or slacker; the African American who excels at athletics
is passed over when imagining a CEO; all minorities are overlooked when a hero
is called for.
In the end, I could have dismissed this remark, chalking it up to one
person's ignorance, but I simply haven't been able to let it go. And the reason
is this: This wasn't some random person on the street expressing his
unenlightened viewpoint -- this man wants to be a screenwriter. He wants to create
stories that will become films viewed by as many people as possible. Sure, I
could console myself by imagining that he'll end up one of the many with dreams
of Hollywood but zero prospects, but that would simply be an exercise in
self-deception. And what if, by some chance, he does succeed?
This is what it's all about, people. This is what leads to a network
television retelling of the Chinese legend of "The Monkey King" with a
white male protagonist at its core. This is what leads to the upcoming cinematic
treatment of World War II as a battle between white and yellow peoples, with no
consideration given to the roles Japanese Americans played, whether as fiercely
loyal American soldiers or as conscientious objectors who demanded the
restoration of their rights as American citizens before consenting to die for
their country. This is the intellectual laziness that keeps Hollywood from
understanding that a good story properly told will draw viewers in regardless of
the color of the hero's skin.
This, then, is my challenge to all of you out there: Write that script. Direct
that film. Be an actor. Become a producer. Connect with others trying to achieve
the same goals. You are the main character of your own life--help create
something that shares this reality with the world. You have nothing to lose but
your continued banishment to the margins of American culture.
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