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Asian American Film Home > Reviews > "The One" - starring Jet Li

 
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The good and the bad

"The One" - starring Jet Li

11.14 - Posted by Editor
jet li The One
 
Starring Jet Li
Directed by James Wong

 
Review by Emily Ting
 
    
11.14.01 -- I have always thought that Jet Li's best Hollywood role has been the villain in the awful "Lethal Weapon 4." It was a good role because Jet Li wasn't given much to say and was made to just do basically what he does best - kick ass. And there was just something strangely charming about an evil Jet Li. Fortunately, in his newest Hollywood vehicle "The One," we get a good dose of this evil Jet Li. But less fortunately, we also get the bland and boring Jet Li a la anything after "Lethal Weapon 4."
 


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Directed by "Final Destination" writer/director James Wong, "The One" is simply a shameless star vehicle. People go to a Jet Li film to see Jet Li kick ass. So why not give people a double dose of Jet Li? Jet Li kung fu kicking Jet Li. What a brilliant idea. The only problem is that without his martial arts, Jet Li isn't much of a performer at all, in terms of acting ability or charisma. You can't build a whole film around someone who's really not that interesting to watch whenever he's not fighting. This is the biggest difference between Jet Li and someone like Jackie Chan.
 
So how exactly does Jet Li kick his own ass? The film's premise is that the world is comprised of not just one universe but a "multiverse" made up of parallel universes. (In the only funny element in the film, one universe has Al Gore as president). A person can have hundreds of different identities in these parallel realities. Jet Li plays Yulaw, a multiverse trespasser who jumps from universe to universe murdering his parallel selves in order to absorb their energy. Yulaw - henceforth known as evil Jet Li - has killed 123 other Jet Lis and is only one kill away from becoming the One, master of the universe. His final target is an honorable cop in present day L.A. named Gabe -henceforth known as bland Jet Li. If evil Jet Li succeeds, it may mean the end of the multiverse. So it is up to bland Jet Li, along with the help of two multiverse cops played by Delroy Lindo and Jason Statham, to stop him.
 
The idea of parallel realities and personalities can serve as a wonderful springboard for a slew of philosophical explorations. But the filmmakers do nothing to realize the story's potential. With a little more thought, "The One" could have possibly been a "Matrix." Now, it just feels like a "Matrix" wannabe that didn't even bother to try. Not only did "The One" not explore the philosophical possibilities of its own premise, it didn't even bother with the visual possibilities. Whereas "The Matrix" depicts an alternate existence with unforgettable imagery, "The One" merely tells the audience about this alternate universe rather than creating it visually for us.
 
Much of the rest of the film is a cat and mouse game between evil Jet Li and bland Jet Li. I know that I am supposed to be rooting for bland Jet Li throughout the film, but I yawn every time I see him on screen, or more painfully, whenever he speaks. I know that Jet Li's English has improved and I should not complain, but his broken English is just so very distracting. Evil Jet Li is not that much greater of an actor, but at least he's more fun to watch. And there are some nice suspenseful moments in the film where we're not sure which Jet Li is which. All of the chase sequences eventually lead to the much- publicized final climax when evil Jet Li and bland Jet Li duke it out. When these two finally come face-to-face, concerns about acting chops just go right out of the window. Even for a girly girl like me, the final action sequence is pretty cool. "Matrix"-style bullet shots just look cliché now rather than cool. But the final sequence triumphs in its pure martial arts choreography. The two Jet Lis duke it out sans weapons, using their bare fists. I am sure that this final 10-minute sequence is the reason the film was made and why most people showed up for the film in the first place; it's too bad that 70 unspectacular minutes precede it.
 
"The One" is a harmless enough action entertainment. As far as Jet Li vehicles are concerned, this one is still far superior to "Kiss of the Dragon." But seeing it in a bigger picture, how does Jet Li fit in with the whole Asian-American filmmaking climate? Do Jet Li vehicles like "The One" further pigeonhole Asian films into the martial arts genre? Does the presence of a film like "The One" insult or encourage Asian American filmmaking? Even though I've always been offended by the strict association of martial arts with Asian filmmaking, I think the fact that "The One" hasn't really been dubbed as an Asian film in the media is a big step forward for Asian American filmmaking. "The One" doesn't deal with any race issues. The fact that the star and the director of the film are both Asians has been a total non-issue. The film's fans are more likely to be action fans than Asian Americans. "The One" could have very easily been a Jean Claude Van Damme vehicle, and this film review probably wouldn't even appear here at all. The film is directed by an Asian American who is more known for his work behind the "X-Files" and "Final Destination" than for his ethnicity. Even though "The One" is unspectacular entertainment, it is still a small testament that some Asians can work in mainstream Hollywood without being marginalized into a special category. "The One" has been touted as a Jet Li vehicle, an action film, a martial-arts extravaganza, but not as an Asian American film. And that I think is the biggest compliment for Asian American filmmaking.
 



Comments

Yeah i thank JETLI played a really good part in this movie and my favorite part in this movie is when jetli was in that room doing taichi i recall it was taichi i just got his new game rise to honor and i thank its pretty tight and he shuold know that to, i wish i can be jetli deciple.

Posted by: Bobby Osborne on April 20, 2004 12:30 PM

man
that was one of the best movie's of jet li.but i think that kiss of the dragon was much better.how ever jet li rules.
by the way i'm doin the same martial arts as jet li.
Wu-shu and t'ai chi chuan

Posted by: erhan on April 3, 2004 03:58 PM

To tell you the truth, I really don't like reading, so I didn't read all of the comments. But I think "The One" is a good movie. If you like science, you have to understand "The One". I think most people don't like the movie, because they don't understand "parallel universe," and they don't understand that sometimes making a movie isn't about making it look real. It's about creating what you can out of a phrase, word, thesis, theory, etc. My view of filmmaking is that "filmmaking isn't about reality, it's about creativity," and "The One" has it all.

Posted by: Kak Lee on February 14, 2004 11:57 PM

Below are comments to this review which have been moved over from the old site. Enjoy! -- Editor
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Name: billy
E-mail: altimaka24de@hotmail.com

i love this movie i mean the way he fights..... and at the end with his super fighting skill wing chu i mean this is a masterpice but the story line kinda dumb and not much good atcor acting with jet li
02/26/02 13:24
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Name: Rob

Well, to see JET LI as an main stream Hollywood Action Hero and that an Asain taking a key role was nice to see in his recent film THE ONE but as an he can really fit the shoes of Chow W Fat. Or other Asain actors, it was kind a boring whent the stroy drifted to see his face for a while without any action. Its a good start cause I see that there will be more doors opening for Asian Americans, but the hard part to understand is that we really don't see actor who real Asian Americans most them just an EXPORT. Hope this will change.,
11/26/01 17:36
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Name: Don Townsend
E-mail: dontownsend50@hotmail.com
Web Page: stuff

yea i know him too
11/22/01 03:00
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Name: Mattias
E-mail: susspect516@yahoo.com

I know your brother - he's really cool.
11/22/01 02:57
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Name: Danee Prasert
E-mail: FreeDanee@yahoo.com

I must beg to differ: - First of all, Jet Li's english is not all that bad. He speaks with incredibly measured tones and never forgets to enunciate in his quest to sound natural. Although the language is not as charming as Jackie Chan's go-for- broke-english, the guy is trying so bless him. -Second, the final showdown between evil Jet Li and good Jet Li is a disappointment. You would have think that the combination of an Asian director,a famed fight choreographer and the star of many superb pre- Hollywood martial art classics would give an encore that would blow audiences away (especially hard-core fans). But what is this? Some TV-worthy slo-mos and fight sequences that looks a tad bit better than Mortal Kombat:the movie. -Jet Li holds his own as an actor. Although not a VERY GOOD one -- in this movie he is not -- he gives a refreshing good guy spin to the traditional reluctant hero that WASP actors just can not pull off. (And unlike the usual Hollywood protagonist, his character did not have to make love to his wife to show how devoted he is to her. In addition, the chemistry that exists between Jet Li and Carla Gugino IS acting and I appreciate the fact that a WASP princess was not cast as his loving wife.) But other than that, I agree with Emily Ting. The underdeveloped philosophical aspect of the story is a shame, the marketing of the film was not based on race, and the movie would have worked with or without Jet Li (picture The Rock). Overall, the film was intended to promote Jet Li's star power and it would have worked. The One would have been #1 at the box office had Monsters Inc. not come out that same weekend. But still, I must say: Damn it! And damn it more because Jet Li, I know you can do better!
11/20/01 19:05
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Name: Pete K. Wong
E-mail: pete@liberatefilms.com
Web Page: http://www.liberatefilms.com

Hello, I am not much to criticize really, but I have to agree and not agree. The One wasn't a "good" movie in it's entirely, but yes it is the script and lack of really trying to pull something out of it, I think though that "many" Hollywood films are going in that direction where the story doesn't count anymore, but graphics and stuff blowing up and big budget does, that is sad. I am hoping Jet Li will get the type of roles that make his character something special, he can definitely pull off he is a hard worker in all aspects, and his english is fine, we have come along way, we need to understand that. Hopefully, people will help Jet make the movies he wants to make (see his site), if not my boys will write one for him to be in. But that is what I saw.
11/16/01 19:09
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Name: YoonBongGil
E-mail: yoonbonggil@usa.net

Surprising to hear anyone say Jet lacks charisma and acts badly. In his pre- Lethal-Weapon, Mandarin work, I always thought Jet Li had charisma to burn... with a magnetic confidence and knowing grin rivaled only by Harrison Ford's. But I'm going back & forth on what I think about "The One" being a small triumph for Asian Americans. Emily Ting says it's a good thing b/c it shows Asians can work in mainstream H'wood without being marginalized. At first I scoffed, thinking "All it means is Asians can work in H'wood if they create a martial-arts-action piece of crap that any white person could have made." But then I thought about the methodic undercover ways Jews have carved their way into the mainstream... so thoroughly, that the once-discriminated- against-Jewish-face now represents the face of America, with all the rich connotations of sexuality, success, youth, and power that we dream of someday seeing in Asian American images. Week after week, we watched Seinfeld... and got accustomed to the image of a very jewish looking guy nabbing hot girls (a road paved in films by Woody Allen). Then there's Ben Stiller... whose jewish-as-can be image is now a part of Americana, as he portrays the comedic American Everyman. Or Jason Biggs... who makes it fun and sexy to be a Jewish-looking American teen. All these faces once would have been a liability... targets of blatant anti-semitism through the mid-1950s... targets of gradually subtler discrimination through the decades since. I noticed Seinfeld, Stiller, Biggs are all in comedy... which is how Jews made their way into the mainstream... by achieving comedic excellence. Certainly for a long time Jews wondered if they would ever be more than clowns on TV. But somehow they moved from behind the camera to in-front-of-the- camera. "The One" treads over the same martial arts and action territory that Asians have re-tread for some time, but maybe that is our way in... our foot-in- the-door to the mainstream. Although action & martial arts seem to provide a limiting window of opportunity, that window can be enriched (as Ang Lee did) and it can be the spark that starts the fire. If we look at "The One" as an undercover operation... where an Asian American director managed to get one of his favorite Asian stars on-screen, in English, without subtitles, for a huge mainstream audience... then I can see it as a success. A small, but significant infiltration. A tiny mission accomplished. It also breaks ground b/c it shows studios something that we always knew, but the studios needed proof to believe: that an Asian can carry an american film, and the film can make money.... in two weeks, more than "Kiss of the Dragon" made in its entire run. This time without the help of Chris Tucker, Mark Walberg, Jodie Foster, Mira Sorvino, or Alliyah. In that way, it's opened the door for a multitude of American movies where the asian dude can be the sole star... a bankable Asian star. Now that we've caught up again to the point where Bruce Lee left us off, maybe we can move beyond it. By the end of this weekend, "The One" will surpass the boxoffice grosses of "Zoolander"... which means more people will have paid and seen Jet Li's face than paid to see Ben Stiller's. For now, that's progress.
11/16/01 17:55
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Name: bob wong
E-mail: mistawong@hotmail.com

How can you act concerned about the Asian American filmmaking climate when you are upset by hearing Jet Li's broken english? You also say that Jet Li's best Hollywood role was where he only showcased his martial arts skill and didn't speak. Then you act concerned about Asians being pigeonholed into genres. You say that 'The One' is 'still a small testament that some Asians can work in mainstream Hollywood without being marginalized into a special category'--how does 'The One' break any new ground for asians in Hollywood? You also complain about Jet Li's acting ability, stating that 'You can't build a whole film around someone who's really not that interesting to watch whenever he's not fighting.' Jet Li may not have any acting skills by your judgement, but your complaint should be addressed to the writing department, not the star. The reason he's not interesting to watch is because not enough is happening in the story. I thought it was common knowledge that very few actors can carry a film when the script is poor. There are many more points I would like to make about your critique, but I hope the main ones are clear. You have a very immature understanding of Asian American issues and your criticisms are totally irrelevant and insulting to anyone interested in the film industry. Obviously Greg Pak gave you the task of reviewing a film which doesn't even require a review--but we didn't need to know your writing skills sucked too.
11/16/01 10:14

Posted by: Editor on May 13, 2003 03:41 PM

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